Review: Nuclear Throne
It’s hard, it’s cruel, it’s relentless, and it’s ultimately fair. The hours of study and practice Nuclear Throne demands are rewarded with mastery and tantalizing secrets.
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It’s hard, it’s cruel, it’s relentless, and it’s ultimately fair. The hours of study and practice Nuclear Throne demands are rewarded with mastery and tantalizing secrets.
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Overture is a simple game but the frantic action and varied classes kept me hooked for far longer than I expected.
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It’s a promising setup, but every part that can feel bad feels bad, and every opportunity for fun player choices and interactions was missed.
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Rymd Resa is by far one of the most relaxing roguelike-things I’ve played, with a lot of drifting through the cosmos and collecting star stuff.
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Vampire of the Sands is possibly the most vicious roguelike I’ve ever played, and I’ve played IVAN.
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Even if you’re a fan of endlessly growing numbers the mindless, boring combat is bound to turn you off.
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If you’re willing to fight on uneven terms and learn to make the most of what the game gives you, I can guarantee that Enter the Gungeon will delight and surprise you for dozens of hours.
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It’s a survival game that asks for a lot of patience and understanding, but it’s one of the few that really earn it, too.
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I’m having trouble thinking of a roguelike I’ve had less fun with than Bionic Dues, because there’s far too much frustration and wasted effort to dig through here.
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