Review: Year Walk
It’s not the longest or most complex horror title around, but that factual grounding and excellent aesthetic make it an experience you won’t soon forget.
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It’s not the longest or most complex horror title around, but that factual grounding and excellent aesthetic make it an experience you won’t soon forget.
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In all honesty I can’t remember the last time I had this much pure, unadulterated fun with a shooter, sprinting across arcane landscapes to launch exploding planets at crystalline constructs.
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It’s perhaps the only game I know of that marries classic roguelike conduct with free-wheeling action, and the result is wonderfully polished and engaging, if quite challenging.
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One More Dungeon isn’t something everyone should run out and get, but it’s a perfectly good FPS roguelike.
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Heavy Bullets needs more to keep me invested, plain and simple, and it’s just not there.
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There’s a lot to love about City of Brass, between the engaging combat, rewarding exploration, and vibrant setting.
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Not many FPS roguelikes can match MOTHERGUNSHIP for sheer spectacle and fun, especially not with the monstrous guns it encourages you to build.
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It’s a complete package built around an incredibly engrossing gameplay loop, and that’s more than enough to make it one of my favorite FPS roguelikes around.
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The Death of Erin Myers does a lot in the small space it gives itself to tell a powerful, emotional tale, but I’m not sure it lays all the groundwork it needs to for the payoff.
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